Due to COVID-19, this typically live action campaign pivoted to an animated approach for the 2020 NFL Season. Each spot features an animated version of DAK PRESCOTT, PATRICK MAHOMES or JIMMY GAROPPOLO introducing a displaced fan to NFL SUNDAY TICKET. By triggering the fan’s TV wall to open, they are transported into a visually stunning journey through Football Nirvana. Their recliners become their vehicles through the magical world that represents the joys of seeing every game, every Sunday.

Produced for: AT&T Creative Services

Client: AT&T / DIRECTV

Creative Director: Brad Tucker

Co-Creative Directors: Jason Scott + Erick Mangali

To illustrate the idea of fluid efficiency, the camera revolves around diorama-like sets to connect the various ways the Ram ProMaster® vans increase productivity. Each quadrant of the circular set showcases a specific industry, culminating in a final overhead reveal of the vehicles arranged to form a clock.

Produced for: Alma Mater

Agency: The Richards Group

Director: Brian Mah

Behind the scenes moviemaking in 1930s Hollywood is revealed through a series of macro shots, which fluidly trace the evolution of a project from script, to artisan, to actor, to filming. Subtle shadows and silhouettes allude to the presence of the enigmatic Monroe Stahr, overseeing the integrity of his vision.

Produced for: Alma Mater

Studio: Sony Television / Amazon

Creative Director: Brian Mah

This title sequence for THE LEGO MOVIE takes the viewer on a stop-motion journey through a series of dioramas made entirely of LEGO. From a brick-level POV, the themes and icons of the film build and animate brick by brick. The dioramas are currently on display on the Warner Bros. Studios lot in Burbank, CA.

Produced for: Alma Mater

Studio: Warner Bros.

Creative Director: Brian Mah

The beauty, innovation, and power of the 2015 Ford F-150 is showcased in this live action-based campaign. The spots were designed and choreographed using match cuts to showcase the truck in a variety of environments and conditions highlighting its extensive capabilities.

Produced for: Alma Mater

Agency: GTB

Director: Brian Mah

This 360º campaign for AT&T’s Thanks program consisted of live action broadcast spots and digital / social spots that ran on Facebook, Instagram, Twitter, Snapchat and the web.

Produced for: AT&T Creative Services

Client: AT&T

Director/CD: Erick Mangali

This main on end title sequence envisions endless possibilities for the "Jump Street" franchise, including posters for future sequels, along with an animated TV series, a video game, action figure tie-ins, and some unexpected cameos.

Produced for: Alma Mater

Studio: Columbia / Sony

Creative Director: Brian Mah

Nominated for an Emmy for Outstanding Title design, this ethereal sequence follows a mysterious woman swimming underwater over the vast cityscape of Miami and the glitzy Miramar Playa Hotel. Water caustics are used as textures and transitions to cut through historical imagery of the late 1950s. The surreal daydream fades away as the camera pulls out from the blue world and through a circular window to find our lead sitting at the Miramar bar.

Produced for: Imaginary Forces

Network: Starz

Creative Directors: Michelle Dougherty + Ahmet Ahmet

This was an intelligent, custom-curated display system created for the newest Renzo Piano-designed wing of LACMA, that would feature the latest exhibitions and permanent collections, along with ticket prices and other information. It was engineered to automatically pull images and text from a CMS that could be easily maintained by LACMA staff.

Produced for: Imaginary Forces

Client: Los Angeles County Museum of Art

Creative Director: Brian Mah

Nominated for a 2010 SXSW Title Design Award, this Bond-inspired sequence was created in collaboration with director Brad Peyton for the kid’s spy movie “Cats & Dogs 2: The Revenge of Kitty Galore.” Using colorfully animated visual imagery and iconic elements from the film, the sequence stylishly conveys the conceit that an international network of cat and dog spies lives all around us.

Produced for: Imaginary Forces

Client: Warner Bros.

Creative Director: Michelle Dougherty

This live action broadcast and social / digital campaign was based on the premise that NFL fans will do almost anything to see their teams play. Shot on location, superstar quarterbacks Patrick Mahomes, Dak Prescott and Andrew Luck each discover just how creative their superfans will get in attempting to be near their favorite players.

Produced for: AT&T Creative Services

Client: AT&T / DIRECTV

Directors: Jason Scott + Erick Mangali

This Science Channel show centers on coming innovations in science and technology that will change our lives forever. In this promo, host James Woods challenges us to imagine the future, while the surrounding animations give the impression that this technology is being realized before our eyes.

Produced for: Alma Mater

Network: The Science Channel / Discovery

Director: Brian Mah

Created to both announce and to demonstrate Dolby’s new 7.1 Surround audio technology, the goal was to create an aural and visual experience that truly surrounded each audience member. This trailer appeared in theaters at the head of event films that would be featuring the new technology.

Produced for: Imaginary Forces

Client: Dolby

Creative Director: Charles Khoury

To showcase the extreme precision and explosive performance of the Nike LeBron 12, this spot captures a comprehensive view of LeBron James flying across the court. As he reaches the top of the key, he takes flight, finishing with an exhilarating and authoritative dunk.

Produced for: Alma Mater

Client: Nike

Director: Brian Mah

This piece was created for the enormous, outdoor multi-format digital screens at the L.A. LIVE complex in Los Angeles and the American Airlines Arena in Miami. Long exposure-inspired trails trace the fluid movement of athletes and musicians, showcasing the content which Amex sponsors at these epic locations.

Produced for: Imaginary Forces

Client: Ogilvy

Director: Brian Mah

Inside a secure high tech locker room, we slowly reveal the signature shoes of Kobe, KD and LeBron. As each shoe rises into frame on an iconic pedestal, we highlight its unique technology. The suspense builds, and each shoe begins to manifest its powerful attribute, challenging the viewer to make their choice.

Produced for: Alma Mater

Client: Nike

Director: Brian Mah

This campaign for Patrón focuses on its iconic bottle. Each spot features an aspect of the Patrón experience: the quality of ingredients and care taken in its creation, the hand-crafted artistry of the product, and its worldwide appeal. Using a combination of live action and CG, the result is simple yet sophisticated.

Produced for: Alma Mater

Agency: Cramer-Krasselt NY

Director: Brian Mah

Inspired by diagrammatic forms and macro photography, the Sonicare Flexcare Platinum assembles itself, piece by piece, bristle by bristle. Using primarily CG supplemented with live action, this spot demonstrates the Sonicare brush's power over its rivals.

Produced for: Alma Mater

Agency: Ogilvy

Director: Brian Mah

The challenge of this campaign was to showcase the many delicious, affordable menu options available on the McDonald's Dollar Menu. Through the use of graphics and talent choreography, we created a modular system through which both the individual products and the menu as a whole could be featured.

Produced for: Alma Mater

Agency: DDB Chicago

Director: Brian Mah

For this live action campaign for digital, the conceit was that AT&T Fiber makes life better. No matter what annoying disturbances your neighbor might be causing, it’s all worth it because you have AT&T Fiber. These simple spots use both in-camera and post VFX to bring the humorous scenarios to life.

Produced for: AT&T Creative Services

Client: AT&T Fiber

Director: Jason Scott

Inspired by the humorous, non-sequitur flashbacks in the film, this sequence, in collaboration with the film's directors Phil Lord and Chris Miller, combines fast-cut action, stunts, subtle humor, and animated typography, all jump-started by Rye Rye's edgy cover of the original TV show theme song.

Produced for: Imaginary Forces

Studio: Columbia / Sony

Creative Director: Brian Mah